Body Wrapper Dance Wear

A history of dance's pathologization may startle readers who find in dance performance grace, discipline, geometry, poetry, and the body's transcendence of itself. Exploring dance's historical links to the medical and scientific connotations of a "pathology", this book asks what has subtended the idealization of dance in the West. It investigates the nineteenth-century response, in the intersections of dance, literature, and medicine, to the complex and longstanding connections between illness, madness, poetry, and performance. In the nineteenth century, medicine becomes a major cultural index to measure the body's meanings. As a particularly performative form of madness, nineteenth-century hysteria preserved the traditional connection to dance in medical descriptions of "choreas". In its withholding of speech and its use of body code, dance, like hysteria, functions as a form of symptomatic expression. Yet by working like a symptom, dance performance can also be read as a commentary on symptomatology and as a condition of possibility for such alternative approaches to mental illness as psychoanalysis. By redeeming as art what is "lost" in hysteria, dance expresses non-hysterically what only hysteria had been able to express: the somatic translation of idea, the physicalization of meaning. Medicine's discovery of "idea" manifesting itself in the body in mental illness strikingly parallels a literary fascination with the ability of nineteenth-century dance to manifest "idea", suggesting that the evolution of medical thinking about mind-body relations as they malfunction in madness, as well as changes in the cultural reception of danced representations of these relations, might beparadigmatic shifts caused by the same cultural factors: concern about the body as a site of meaning and about vision as a theater of knowledge.

Group Activities Barhopping Scavenger Hunt Take the bride-to-be out to one or more bars dressed in an inexpensive white veil and T-shirt on which individually wrapped Lifesavers have been sewn. Give her a list of embarrassing things to do: invite men to bite the candy off her shirt; order a drink with a kinky name; obtain from different men a condom, pair of underpants, phone numbers, and so on. If there's music, she must dance with the homeliest guy at the bar. (Note: Bars often waive cover charges for parties arriving in a limousine.) Carve Your Favorite Body Part Place several different vegetables in a bowl (for example, potatoes, cucumbers, eggplant, squash, bell peppers, zucchini, gourds, pumpkins, carrots, and so on). Instruct the guests to select a vegetable and a paring knife. Then, tell them to sculpt a sexy body part in not more than fifteen or twenty minutes. When everyone's finished, assemble all the sculptures on a table and have guests vote to select the prizewinners. Condom on a Cucumber Blindfold the guests and give each of them a wrapped condom and a cucumber. Tell them to remove the condom from its wrapper and place it properly on the cucumber. The fastest time wins a prize. Name that Sex Toy Place an assortment of sex toys in a large plastic garbage bag. Tie the bag shut. Ask the guests (one at a time) to feel around the outside of the bag and write down what toys they think are inside. Time limit: two to five minutes per person. The most correct answers wins a prize. Pin the Penis on the Man Hang a poster of a nude male model on a bulletin board. Cut out a cardboard penis and attach a pin to one end. Then, blindfold theguests one at a time, position them ten feet from the poster, and have them try to pin the penis on the model. The closest placement wins a prize.

Body contact (dance) - Body contact is a style of closed position in partner dancing.

Can-can - The Can-can (also spelt Cancan, Can Can) is regarded today primarily as a music hall dance, performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings, harking back to the fashions of the 1890s. The main features of the dance are the lifting up and manipulation of the skirts, with high kicking and suggestive, provocative body movements.

Snap (dance move) - Snap as a dance move is a brisk, abrupt body/head/arm/hand action varying in style in different dances. It may involve body ripple (body wave), abrupt turn of the head, hip motion, etc.

Electronic body music - Electronic body music (EBM) is a musical genre combining elements of industrial music and electronic dance music. The genre's early influences run the gamut from the noisy industrial music of the time (Throbbing Gristle, Psychic TV) to the Radical Dance scene (Portion Control, 400 Blows) and straight-ahead electronic music (Kraftwerk, DAF).

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